Thanksgiving Day marked
the completion of a multi-layered and extensive, three-month project to restore
the interior of
St. Vincent De Paul Church, the spiritual home of more than
2,600 Catholic families in Petaluma and a beacon of architectural light in the
heart of our city.
A special
Thanksgiving Day mass at 9 am celebrated the culmination of a series of
substantial projects that the parish has undertaken over the past two decades,
in order to restore and maintain this circa 1927 heritage treasure.
This latest
project had closed the sanctuary for 12 weeks of exhaustive, detailed, highly
focused restoration and subtle remodeling work, with mass and other services
having made their temporary home in the St. Vincent de Paul High School
auditorium.
Petaluma-based
award winning decorative artist Ruby Newman was responsible for the direction and much of the
intricate painting and careful selection of warming interior architectural
color design, an extended elaboration of the Carnegie Melon University trained
artists’ original inspirational color transformation of the sanctuary,
following water damage in 1992.
One of the Bay
Area’s most respected specialists in decorative painting for public and sacred
places, Newman’s exquisite decorative relief, color washing and gold leaf work
illuminates the beauty of a sanctuary that changes with the light.
Newman, who is of Jewish faith, specializes in the painting of sacred places of all denominations. "I like to create beautiful atmospheres for people's spirits," she said.
The Northern New Jersey native, who has lived in Petaluma for many years, has a richly layered background in the arts and extensive experience in painting restoration work of heritage structures, particularly Victorian, one of her most renowned past projects being the restoration of the lovely old merry-go-round carousel in San Francisco's Golden Gate Park.
Talking with Newman during a sneak peek into the sanctuary during
renovation work, it was fascinating to hear more of this vibrant and
impassioned artist's perspective on a two-decade long connection to the church house towers dominate the skyline of her home town.
"I let the architecture dictate what I do to it," explained a spritely, pixie-haired Newman, decked out in painter's overalls, brush in hand on her perch atop a hydro-lift platform high up inthe upper reaches of the sanctuary. Columns that had been monocromatic in color prior to her original assignment retain their familiar faux-marble effect, but it is updated color wash detailing and gold life that draws the eye.
Back down to earth, fresh color adorned the fully restored spiritually significant 14 Stations of The Cross (a series of artistic, sculptural representations depicting Jesus Carrying the Cross to his cruxifiction), set against newly painted sanctuary walls that change from almost a warm, pinkish apricot to yellow ochre depending on the time of day.
"I spent what seemed like a billion hours testing the color of the walls before we settled on this particular tone," said Newman, matching it with a new deep forest green carpet. "It's all about the overall composition and harmony," she said.
Scratched, worn
pews were removed in September, refinished and reseated in North Dakota, the new carpet has been
laid and heating system modernized. Sanctuary furniture, including Petaluma
cabinet-maker Andrew Jacobson’s custom-crafted pulpit and front facing altar
and a mosaic were set in place earlier this week, along with an improved sound
system. A restored baptismal font matches columns in its ancient stone-like effect.
“The sacrifice
our parishioners and others have made reflect not only their love of their
church but also the awareness of the responsibility they have to care for this
unique and beautiful shrine that was bequeathed to them, so that it can
continue to serve, inspire and nurture further generations,” said Pastor, Fr.
Gary Lombardi.
Over the past 20
years, the many communities of St. Vincent’s Parish as well as local citizens
have raised around three million dollars to cover the cost of this extensive
series of restoration projects, beginning back in 1992 with major restoration
and maintenance of the interior and exterior of the church, parish hall and
rectory. This vital restoration program launched after significant water damage
had threatened the stability of one of the landmark church towers and
infiltrated the pipe organ.
In 1998 the plaza
and fountain were added to the front of the church to provide a much-needed
gathering space for the parish congregation as well as a restful place of
tranquility for the community.
The parish
undertook vital restoration of the church’s original stained glass windows from
Munich, back in 2009. After 80 years, the lead that bound the glass pieces
together had reached the end of its useful life and was crumbling. Bit by bit
the panes were disassembled and sent to specialists in Wisconsin. That year, a
new roof was installed under the original terra cotta tiles, along with new
rainwater drainage to protect the extraordinary classic Spanish
Romanesque-style structure that was designed and built to last in the
California Mission Revival Period under the direction of Rev. James Kiely.
It truly did "take a village" for such an outstanding community effort refurbishment of this beautiful church, including Ruby Newman's meticulous decorative painting,
Spurgeon Painting (Petaluma) for the bulk of the vast expanse area painting, Mike Ward of Marble World (Santa Rosa), Mike Roesner of “Just Floor Covering” (Rohnert Park) Alex Gayda of North Bay Iron Craft ( Petaluma) for Altar railings and Andrew Jacobson's exquisite altar furniture, expertly stained by Swift Refinishing Company.
One person who has been behind the scenes and involved with all of the myriad elements coming together was board member Al Cerron who oversees the maintenance of the Church on all levels throughout the year and especially for this project.
Refurbished pews were carefully repositioned to allow more access around pillars and staggered closer the Altar to open up a more expansive floor area at front for weddings and other ceremonies.
These lovely brass angel plates were taken from the old railing at the front of the Altar and preverved for posterity as wall fixtures by the Church's interior doors.
This 1904 Baptismal Font (likely from Italy) from the original Church was first restored by Newman in 1992 and removed from the Church for repairs to minor chips and scrapes and for retouching at the final stages of the project. The font was put back in place this December.